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The Biggest Entertainment Mistakes Event Planners Are Still Making

by | Feb 10, 2026 | Event Planning

Entertainment has the power to lift an event from functional to unforgettable. Yet despite access to better technology, broader talent pools and more event knowledge than ever before, the same entertainment mistakes continue to appear across all types of events. These missteps rarely come from poor intentions. They usually come from assumptions, rushed decisions or a focus on individual elements rather than the overall experience.

In 2026, guests are more discerning. They are sensitive to pacing, comfort and atmosphere, and they notice when entertainment feels disconnected from the event around it. Understanding the most common entertainment mistakes — and why they happen — is one of the easiest ways to improve guest experience without increasing budget.

Treating Entertainment as a Standalone Booking

One of the most persistent mistakes is viewing entertainment as something that can be booked independently of the rest of the event. Music, performers and hosts are often locked in early without considering how they will interact with timing, layout, speeches or service.

When entertainment is treated as a standalone feature, problems arise:

  • Music clashes with formal moments
  • Performers interrupt conversation-heavy segments
  • Energy peaks at the wrong time

Entertainment works best when it is integrated into the event flow and your run sheet. It should support transitions, guide attention and reinforce the intended atmosphere rather than operate in isolation.

Choosing Style Over Suitability

It is easy to be drawn to entertainment that looks impressive online or feels exciting in theory. However, style alone does not guarantee success. There are red flags to watch out for when booking entertainment.

Common examples include:

  • High-energy acts booked for conversation-driven events
  • Loud music introduced too early
  • Performers chosen without considering guest demographics

Entertainment must suit the audience, not just the host’s taste. What works for one crowd can feel overwhelming or underwhelming for another. Suitability matters more than trend alignment.

Introducing High Energy Too Early

Energy is not something to maximise immediately. It is something to build.

A frequent mistake is opening an event with music or performances that belong later in the night. When energy peaks too early, guests have nowhere to go emotionally. The rest of the event can feel flat by comparison. Your guests might even leave early.

Strong events allow energy to rise gradually:

  • Calm and welcoming at arrival
  • Social and conversational during early phases
  • Focused during formal moments
  • Elevated during celebration segments such as grand entrances or award speeches

Pacing protects momentum.

People At Garden Party

Ignoring the Power of Soundscaping

Silence and unmanaged background music are often overlooked issues. Many planners either leave early moments silent or rely on generic playlists without intention.

Soundscaping — the deliberate use of background music — helps:

  • Define the atmosphere
  • Encourage conversation
  • Prevent awkward lulls

Without it, spaces feel unfinished. With it, even simple venues feel warm and purposeful.

Overloading the Event With Performances

More entertainment does not equal better entertainment. Overloading an event with too many acts often has the opposite effect.

When performances are stacked too closely:

  • Guests feel overwhelmed
  • Social interaction suffers
  • Key moments blur together

Entertainment should punctuate the event, not dominate it. One or two well-placed features often create more impact than a constant stream of activity.

Poor Timing Around Speeches and Formalities

Speeches and formal moments are essential for many events, but they are also a common source of energy loss.

Mistakes include:

  • Long speeches with no variation
  • Too many speakers in a row
  • No musical cues to reset attention

Entertainment should support formal moments by framing them with music, adjusting volume levels and helping the audience transition smoothly in and out of focused attention.

Not Considering Volume as a Design Tool

Volume is often treated as a fixed setting rather than a flexible tool. This leads to common complaints about events being too loud or, conversely, lacking presence.

Effective volume management means:

  • Lower levels during arrival and networking
  • Moderate levels during social moments
  • Higher levels reserved for celebration phases

Adjusting volume throughout the event keeps guests comfortable and engaged.

Forgetting About Guest Comfort

Entertainment that ignores comfort quickly drives guests away.

Common comfort-related mistakes include:

  • Music too loud for conversation
  • Performers blocking walkways or service areas
  • No seating near entertainment zones

Guests who are physically uncomfortable disengage emotionally. Comfort should always be protected, regardless of entertainment style.

Booking Entertainment Without Understanding the Venue

Venues play a significant role in how entertainment is experienced. A frequent mistake is booking performers without considering acoustics, layout or restrictions or the stage setup.

Issues arise when:

  • Sound carries poorly in large spaces
  • Low ceilings limit certain acts
  • Power or access requirements are overlooked

Entertainment should be matched to the venue, not forced into it.

Relying on a Rigid Run Sheet

While planning is essential, overly rigid schedules often undermine entertainment effectiveness. Events are dynamic, and guest energy does not always follow a timetable.

When entertainment is locked into exact times with no flexibility:

  • Performers miss natural energy peaks
  • Transitions feel forced
  • Opportunities to extend successful moments are lost

Allowing flexibility enables entertainment to respond to the room rather than the clock.

Underestimating the Role of the MC

The MC is often viewed as optional or secondary, yet their role is critical in shaping flow.

Without a strong MC:

  • Transitions become awkward
  • Guests lose orientation
  • Formal moments feel disconnected

A skilled MC provides continuity, sets tone and ensures entertainment supports rather than disrupts the event.

Choosing Entertainment Without Considering the Guest Mix

Mixed-age, mixed-industry and mixed-energy audiences require careful planning. A major mistake is assuming one entertainment style will work equally well for everyone.

Entertainment should offer:

  • Multiple engagement levels
  • Moments for watching and socialising
  • Optional participation rather than forced involvement

Ignoring audience diversity often leads to disengagement.

Overlooking the Importance of the Event Ending

How an event ends strongly influences how it is remembered and the overall guest journey. Entertainment is often planned thoroughly for the middle of the event but neglected at the close.

Weak endings include:

  • Abrupt stops
  • Sudden lighting changes
  • Music cutting without transition

A considered ending provides emotional resolution and leaves guests with a positive final impression.

People At BBQ

Leaving Entertainment Decisions Too Late

Late bookings reduce options and increase risk. When entertainment is chosen close to the event date, compromises are often made on suitability, preparation and coordination.

Early event planning allows:

  • Better alignment with event goals
  • More tailored entertainment solutions
  • Stronger collaboration between suppliers

Entertainment benefits from being part of the initial planning, not an afterthought.

Assuming Experience Equals Event Expertise

Not all performers understand events. Some are excellent at performing but lack awareness of pacing, transitions and audience dynamics.

Event experience matters because:

  • Timing is unpredictable
  • Audiences vary widely
  • Coordination with other suppliers is essential

Choosing entertainers with proven event experience reduces risk significantly.

Ignoring the Value of Professional Guidance

Many entertainment mistakes occur because planners try to manage everything alone. While this can work for simple events, complexity increases risk.

Professional entertainment guidance helps:

  • Identify suitable formats
  • Avoid common pitfalls
  • Protect event flow
  • Reduce stress for hosts

This support often saves time and prevents costly mistakes.

Focusing on Individual Moments Instead of the Whole Experience

Events are remembered as journeys, not snapshots. Entertainment decisions made in isolation often disrupt that journey.

A cohesive approach ensures:

  • Energy builds naturally
  • Moments feel connected
  • Guests remain engaged throughout

Entertainment should serve the overall experience rather than compete for attention.

Learning From These Mistakes

The good news is that most entertainment mistakes are avoidable. They stem from planning habits rather than unavoidable constraints.

By focusing on:

  • Audience understanding
  • Event flow
  • Comfort and pacing
  • Integration rather than isolation

Planners can dramatically improve outcomes without increasing complexity.

Better Entertainment Starts With Better Planning

The biggest entertainment mistakes event planners are still making are not about poor performers or limited budgets. They are about misalignment — between entertainment, audience and event purpose.

When entertainment is planned as part of the event journey, guests feel guided rather than managed. Energy rises naturally, comfort is preserved and moments land with greater impact.

For planners seeking to avoid common entertainment pitfalls and create events that feel cohesive, engaging and well-paced, Onstage supports the process with experience-led entertainment planning that aligns performers, timing and atmosphere into a seamless guest experience. Get in touch with us today for assistance in planning your next event!

Melanie Williamson

Melanie Williamson

Author

Melanie has been working at Onstage for 17years  with her love and passion for all things entertainment and events. Prior to Onstage, Melanie worked in Hotels and Venues in various roles which gave her a strong knowledge in how all things work for events. Her entertainment  product knowledge combined with her event skills, makes her a highly sort after Stage and Events Manager (just as recently contracted for events overseas).

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